rec.arts.movies.production.sound

In article < @ >,
wildt®ax wrote:

> On 14 Aug., 14:11, yc wrote:
>
> > i have to work alone (sniff..) . So i have a lot of wild sound to do ,
> > during the shot i think to use a stereo pair (km150 cause the
> > directivity rejection)
>
> I think you are misunderstanding the purpose of AB stereo. The more
> directive the mics you use for AB the larger the "hole" in the phantom-
> center will be. AB-stereo with highly directive mics doesn´t make a
> lot of sense if youre looking for good stereo-representation on stereo-
> speakers. But I´ll leave that to your taste...
>
> very near the camera (perhaps on the camera
> > itself)
>
> I wouldn´t do that. You will just pick up handling noise, whispering
> camera-crew during the shot and camera-noise plus the noise from
> people moving around the camera during the take.
>
> i will try to work by this way.
> > But my question is essentially about the 744T , you knows...
> > Thank you again.
>
> What is your question? The most obvious point is that is only has 2
> mic ins otherwise it´s great! I´d use it with a SD302 in such a setup.
> Still very compact and one additional input if you need to mixdown.
>
> frank.
>
>
Ok wildtrt@ax i allreay know that you said about a/b stereo and you are
right, just i will arrange the microphones set best as possible and
about the stereo field i will compensate the weak center by some angle
modifications.
About the 744t how long may i have recording with 24bits ? is it
reliable, may i have to save every night? wich seems to be the best
file format ? how long the power is ?..this kind of practical stuff...