rec.arts.movies.production.sound

On Aug 29, 3:51 pm, "oleg kaizerman" wrote:
> the best is to run free run tc on both devices and slate every couple of
> hours
> then later sync up everything on nle
> not more then 10-20 slates a day depends how much cards he have ( slate
> everytime he change the card /battery )
>
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> I agree with Oleg, that you should run both in free run 24 hr mode on 702t, Sync the 702t with the slate, slate everytime the camera cuts. Also leave the responsibilty of keeping the camera in sync with the slate to the AC or DP. As in my experience the HVX drifts 1-10+ seconds per hour. Either way they should be okay but in my experience informing the camera department and editor that the smpte will be in sync the camera is not something you are going to have control over.
Ian
> > I'm about to start a short film with a DP using an HVX200. I'll be
> > recording on a 702T and he has a Deneke Slate. I can jam TC to the
> > slate but is there a way to get the TC onto the HVX? We're thinking
> > of just using the slate the old fashion way and asking the editor to
> > line it all up in post, but if there's a way to sync everything up it
> > would be useful. I know the HVX has a TC port for jamming to other
> > HVX's. Can we make use of this in any way? Any and all suggestions
> > are welcome.
> > Thanks,
> > Parker- Hide quoted text -
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> - Show quoted text -