rec.arts.movies.production.sound

wrote in message
news: @ ...
> On Aug 29, 3:51 pm, "oleg kaizerman" wrote:
>> the best is to run free run tc on both devices and slate every couple of
>> hours
>> then later sync up everything on nle
>> not more then 10-20 slates a day depends how much cards he have ( slate
>> everytime he change the card /battery )
>>
>> wrote in message
>>
>> news: @ ...
>>
>>
>> I agree with Oleg, that you should run both in free run 24 hr mode on
>> 702t, Sync the 702t with the slate, slate everytime the camera cuts. Also
>> leave the responsibilty of keeping the camera in sync with the slate to
>> the AC or DP. As in my experience the HVX drifts 1-10+ seconds per hour.
>> Either way they should be okay but in my experience informing the camera
>> department and editor that the smpte will be in sync the camera is not
>> something you are going to have control over.


1-10 seconds ?:-)
sorry it doing much better,,2 frame every couple of hourse


> Ian
>> > I'm about to start a short film with a DP using an HVX200. I'll be
>> > recording on a 702T and he has a Deneke Slate. I can jam TC to the
>> > slate but is there a way to get the TC onto the HVX? We're thinking
>> > of just using the slate the old fashion way and asking the editor to
>> > line it all up in post, but if there's a way to sync everything up it
>> > would be useful. I know the HVX has a TC port for jamming to other
>> > HVX's. Can we make use of this in any way? Any and all suggestions
>> > are welcome.
>> > Thanks,
>> > Parker- Hide quoted text -
>>
>> - Show quoted text -
>
>