rec.arts.movies.production.sound

I should mention that (in my opinion) much the same could said for
"The Assasination of Jesse James..." show, recorded by Bruce
Carwardine.

Glen Trew


On Feb 25, 10:31 pm, Gtrew wrote:
> Ditto. (If that presenter had only managed her dress professionally
> and kept out from under the winner's feet!)
>
> I understand that Peter Devlin had US$100 on "Bourne Ultimatum".
> (Score!)
>
> Now that The Academy has created my short list, I'll be watching (and
> listening to) the winner and nominees asap.
>
> Speaking of which, I just got back from "No Country for Old Men". Of
> famous films in recent memory, (in my opinion) this one should become
> a study in what we should strive for in location sound recording, and
> its value to the audience's experience.
>
> Nice full credit for Peter Kurland, too.
>
> For the financially minded among us, this show's sound acclaim should
> also keep the desirability and value high for used Zaxcom Deva-2
> recorders and Cooper CS-106 mixers. It really says something when the
> older standards can keep up with the new hot stuff (although it took
> two Deva-2 recorders at once sometimes).
>
> Later this week for me: Bourne... Transformers... 'Blood... 'Yuma....
>
> Glen Trew
>
> Glen Trew
>
> On Feb 25, 7:15 pm, Scott wrote:
>
> > Congrads to Kirk and his Cantar for Production Sound. I loved the
> > Hawaiian shirt too.